While EPAM and its publishing components remain under WMG’s majority ownership, the recent shift marks a change in the direction of EPAM’s involvement in artist management. WMG took control of EPAM just over a year ago and subsequently sold its sheet music business to Faber Music.

Tyson, who led EPAM for 13 years, played a crucial role in shaping the careers of notable artists, including Voces8, Apollo5, Eriks Esenvalds, Ola Gjeilo, and Zeb Soanes.

Despite the transition, Tyson will maintain ties with WMG by continuing to collaborate on choral publishing projects with EPAM composers such as Jonathan Dove, Roxanna Panufnik, Roderick Williams, and others.

Expressing his sentiments on the development, Tyson stated, “It has been a wonderful journey to build EPAM, and I am immensely proud of what has been achieved over the past 13 years. wantke to put on record my sincere thanks to the directors and staff of Edition Peters for their vision and support since 2009.”

He expressed optimism about the future, stating, “I am excited to continue working with such talented artists under the banner of Podium Music. The music industry continues to evolve, and I am confident that this new chapter will bring fresh opportunities and continued success for everyone involved.”

EPAM chairman Chris Butler said: “We wish Robin every success with Podium Music and look forward to working with him in the many areas of shared interest with Edition Peters and Wise Music Group.” The move reflects the dynamic nature of the music industry, and both Edition Peters and Podium Music are poised for new opportunities in this evolving landscape.

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Eberhardt boasts a successful career in arts management, education, and advocacy and brings a wealth of experience to his new role. As the Executive Director, he will play a crucial role in shaping the foundation’s strategic direction, fostering collaborative partnerships, and driving the organization’s vision to reshape the landscape of classical vocal arts.

Denyce Graves-Montgomery, the Emmy and Grammy award-winning mezzo-soprano and Founder and Artistic Director of DGF, warmly welcomes Eberhardt to the team, stating, “We are thrilled to welcome Terry Eberhardt as our Executive Director. His leadership in the arts and dedication to community development perfectly align with what we represent. Together, we aim to broaden our impact and enrich lives through the transformative power of the arts.”

Eberhardt’s career includes notable roles such as Music Coordinator at Howard County Public Schools, Associate Artistic Director at Young Artists of America, and CEO of Red Bridge Studios. His commitment to community building, amplifying marginalized voices, and nurturing cultural growth aligns seamlessly with the foundation’s mission.

Eberhardt expressed his enthusiasm: “I am honored and excited to lead the Denyce Graves Foundation in its mission; the Foundation’s dedication to inclusivity and social impact deeply resonates with me, and I am eager to contribute to its continued success.”

The Denyce Graves Foundation has firmly established itself in supporting emerging artists, advocating for recognizing hidden musical figures in American history and leveraging the arts as a catalyst for community progress. With Eberhardt at the helm, the foundation aims to build a lasting legacy, strengthen pathways of opportunity for all, and amplify the transformative impact of the arts in fostering positive societal change.

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“I’ve been honored to serve as the steward of our incredible artists and catalog in the UK these past two years and am excited to now add North America to my remit. In my view, there has never been a more exciting time for classical music, with the breadth of new artists and repertoire that are expanding our definition of the genre, and more than a century of recorded music accessible at every curious listener’s fingertips.”

“Sean has been a tremendous asset to our global Classics team in the last couple of years. He is always at the forefront of change in the classical music sector, taking an innovative approach that embraces the future. I know that he’ll do a fantastic job leading our North American operations,” added Alain Lanceron.

Before his promotion, Gross led Warner Classics in the UK since he joined the label group in 2021 and during his tenure, he has grown the label’s market share and helped to introduce artists such as Abel Selaocoe, Fatma Said and RIOPY.

A veteran of the classical music world, Gross has previously held roles on the leadership teams of some of the top classical music agencies in London and New York, including IMG Artists, arts PR firm 21C Media Group, and music management company Askonas Holt.

He began his career as a jazz saxophonist and currently serves on the Board of Governors of the Guildhall School of Music & Drama, ranked number one in Arts, Drama & Music by the Complete University Guide 2024.

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During the 2023 season, SacBallet performed classic works by Tchaikovsky, such as perennial fan favorites like Swan Lake and the Nutcracker, as well as works by modern dancemakers, including Jermaine Maurice Spivey, Penny Saunders, Alejandro Cerrudo and Adam Hougland.

Additionally, the ballet company received support from multipole grants and during the 2023 season, SacBallet was one of five U.S. companies named as recipients of Dance/USA’s BIPOC (Black, Indigenous, People of Color) Female Choreographers in Ballet Initiative, enabling it to work with noted international choreographers Caili Quan and Stephanie Martinez. Additional support came from the Virginia B. Toulmin Foundation.

The local community also came to the aid of the company and annual Big Day of Giving fundraising campaign (May) — sponsored by Sacramento Regional Community Foundation — supporters of the Sacramento Ballet raised $44,000, well over its $25,000 target.

“Arts organizations still face challenging times and our determined vision for the future has coalesced into success beyond expectations,” said Anthony Krutzkamp, Artistic/Executive Director, Sacramento Ballet. “We are grateful for the unwavering support of our audiences, patrons and donors who filled our houses to peak levels this season.”

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Dudamel said in a statement, “It is with a heavy heart, and after long consideration, that I announce my resignation as Music Director of the Paris Opera in order to spend more time with my family. It has been a privilege to share such wonderful moments with the Orchestra, Chorus, and artistic teams of Opera de Paris over the past two seasons. This is a time which I believe has changed all of us in many unique and complex ways, and I certainly have a greater appreciation for life and for how art and music enriches my everyday existence and that of those around us. I have no plans other than to be with my loved ones, to whom I am deeply grateful for helping me to continue to be strong in my resolve to grow and remain challenged, both personally and artistically, each and every day.”

For his part, General Director Alexander Need said, “I would like to thank Gustavo Dudamel, whose passion and immense talent have brought so much to the repertoire of our house. He was able to forge a special relationship with the musicians of the Orchestra, the artists of the Chorus, the singers and the artistic teams, a relationship marked by mutual respect and the desire to create the most beautiful performances together. The recent success of ‘Nixon in China’ is one of the most striking illustrations. Gustavo Dudamel is an immense musician. I express my deep gratitude to him for the work accomplished during his tenure, and I fully respect his decision.”

Dudamel is set to become the Music Director of the New York Philharmonic during the 2026-27 season.

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Set for March 18, the stream will be part of The Met: Live in HD series and will feature Yannick Nézet-Séguin, the Metropolitan Opera’s Jeanette Lerman-Neubauer Music Director leading the critically acclaimed cast, including tenor Piotr Beczała.

The cast also includes soprano Tamara Wilson as the virtuous duchess Elsa and soprano Christine Goerke as the cunning sorceress Ortrud. Bbass-baritone Evgeny Nikitin is cast as Ortrud’s power-hungry husband, Telramund, and bass Günther Groissböck is King Heinrich.

For the production, Girard is collaborating with collaborates with award-winning multidisciplinary artist and designer Tim Yip—who won an Oscar for art direction on the 2000 film Crouching Tiger, Hidden Dragon and is also known for his work on the 2004 Athens Olympics closing ceremony to design sets and costumes.

During the intermission, fans will be treated to exclusive behind-the-scenes access of the production.

Gary Halvorson directs the Live in HD presentation, which will be hosted by Baritone Christopher Maltman.

Tickets for Lohengrin are on sale through the Fathom Events website and participating theater box offices.

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Dudamel will begin his five year term in the Phil’s 2026–27 season, becoming the 27th conductor to preside over the famed orchestra. In accepting his new role, he will join the ranks of conductors that includes legends such as Gustav Mahler, Arturo Toscanini, and Leonard Bernstein who have led the Philharmonic.

“Today, above all, I am grateful. I am grateful to the musicians and leadership of the New York Philharmonic as we embark upon this new and beautiful journey together. As the great poet Federico García Lorca said: ‘Every step we take on earth brings us to a new world.’” Dudamel remarked “I gaze with joy and excitement at the world that lies before me in New York City.”

He most recently served as the Music and Artistic Director of the Los Angeles Philharmonic — a position he has held since 2009 — as well as Music Director of the Opéra National de Paris and Music Director of the Simón Bolívar Symphony Orchestra.

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Preston will assume his new role at KMFA at the end of January and will take on strategic, operational, financial, and managerial leadership of the broadcaster.

“George comes to us with exceptional experience,” said Soriya Estes, KMFA Board Chair. “One of KMFA’s central goals is to increase our community partnerships as a collaborator both inside and outside the Austin arts community. He has a deep understanding of the classical music landscape and possess the qualities needed to expand and engage our listening audience size and diversity in Austin, Central Texas, and beyond.”

Preston succeeds President and General Manager, Ann Hume Wilson, who has led KMFA for 10 years and was hired after a national search conducted by five members of KMFA’s board of directors.

Preston brings a wealth of experience to his new role with more than three decades of relevant experience in radio and the non-profit world.

Most recently, he served as VP of Radio and General Manager at WFMT, Chicago, where he was responsible for programming, staff, and budgeting, as well as the station’s successful on-air fundraising programs. He also heads the WFMT Radio Network, the national syndication division of WFMT.

His experience also includes on-air roles at WFMT as afternoon drive host and hosted and produced the internationally syndicated Lyric Opera of Chicago broadcasts. He also served as host and music director for WNYC, New York City’s primary NPR station, where he supervised the music staff and produced numerous live concert broadcasts, festivals, and specials.

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Samuel joined the BSO in June 2021 as the organization was ramping up for their return after the COVID-19 shutdown and she worked with the board to implement re-opening campaigns for each of the BSO’s venues, including Tanglewood and Symphony Hall.

“Gail came to the BSO as we were beginning to chart a critical course through the very consequential effects of the COVID-19 pandemic,” said Barbara Hostetter, Chair, Board of Trustees, Boston Symphony Orchestra. “At a time when stabilizing the institution was of paramount priority, Gail was a steadying force. She also led the BSO through a vital turning point of generational change, setting in motion a creative vision that reflects the BSO’s commitment to diversity. As a result of her expertise, broad lens and hard work, the BSO is well positioned to continue with this important progress. On behalf of the Board of Trustees, I express my gratitude to Gail and our entire executive team.”

“It was an honor to lead the Boston Symphony Orchestra, one of the world’s most celebrated orchestras, particularly during such a significant time in history,” Samuel said. “When I arrived at the BSO, I was dedicated to re-opening Tanglewood and Symphony Hall, and to increasing creativity at the BSO by welcoming artists to our stages more broadly representing the rich diversity that exists in our city. After navigating the profoundly complicated re-opening matters and having successfully laid the groundwork for continued evolution at the BSO, I have decided to step down,” Samuel said.

“The end of the season and Holiday Pops performances offer a natural time with limited disruption. I hold great pride in all that was accomplished during such a challenging time for the arts and culture sector. I am confident that the work I have done and the tools we put in place will enable future growth and diversity and enrich the BSO’s rich legacy of artistry. I am grateful to the Board of Trustees, the Boston arts and cultural community, and the BSO’s players and staff for the opportunity to positively impact this wonderful institution,” Samuel added.

Her last official day at the helm of the BSO will be January 3rd but will provide “transition assistance” following her departure. Neither Samuel or the Symphony shared any details about the reason for her abrupt exit.

The Board of Trustees of the Boston Symphony Orchestra announced that Jeffrey D. Dunn, a current member of the BSO’s Board of Advisors and the organization’s Finance Committee, will serve as interim President and Chief Executive Officer, starting January 4, 2023.

“Jeff Dunn is a much-admired executive, recognized across industries for an innate ability to lead complex organizations with sound judgment and innovative ideas,” said Barbara Hostetter, Chair, Board of Trustees, Boston Symphony Orchestra. “We especially hold immense respect for Jeff’s experience in guiding organizations in times of change and are grateful to have him help us continue our forward momentum.”

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As a result, the organization will furlough a total of 79 musicians and 49 full-time staff members – including Music Director Giancarlo Guerrero – effective July 1.

“This was an extremely difficult and painful decision to make,” said Board Chair Mark Peacock. “The Nashville Symphony’s management and board of directors have been exploring every available option to ensure the long-term sustainability of the institution.”

“We realize the dramatic impact this decision will have on the lives of the very musicians and staff who have built the Nashville Symphony into the community treasure that it is today, and we are working hard to support them through this difficult transition. But without the ability to perform for the public, we are unable to generate essential operating revenue. And without that revenue, the Nashville Symphony faces a threat to its very existence,” Peacock added.

The symphony has already been forced to cancel or reschedule more than 65 concerts and events since early March, resulting in losses of more than $8 million to date, or roughly 30% of the organization’s annual income.

“First and foremost,” Peacock continued, “we are dedicated to ensuring the safety and well-being of our patrons, along with our musicians, staff and volunteers. That means doing everything we can to prevent the spread of COVID-19. With operational costs totaling $2.3 million every month, we also face an enormous financial risk due to the continuing uncertainty caused by this pandemic. Therefore, we felt it necessary to take decisive action now to ensure that the Nashville Symphony is able to reemerge from the current crisis.”

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